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The Netherlands-based De Stijl movement embraced an abstract, pared-down aesthetic centered in basic visual elements such as geometric forms and primary colors. Partly a reaction against the decorative excesses of Art Deco, the reduced quality of De Stijl art was envisioned by its creators as a universal visual language appropriate to the.
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De Stijl's artists aimed to create an objective art concerned with universal values, and as such they saw a close correlation between art and numbers. 'In the same way mathematics is the most obvious way of understanding things objectively, art is the most suitable way of feeling aesthetically,' wrote Georges Vantongerloo in De Stijl.
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Dutch artistic movement De Stijl (which translates into The Style) was founded in 1917 in Amsterdam and consisted of both artists and architects. At the time the pieces created by this movement were ground-breaking, celebrating simple compositions of vertical and horizontal, using mostly black, white and primary colours.
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At its core, De Stijl was designed to encompass a variety of artistic influences and media, its goal being the development of a new aesthetic that would be practiced not only in the fine and applied arts. Along with this the movement would also reverberate in a host of other art forms as well, among them architecture, urban planning, industrial.
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De Stijl, (Dutch: "The Style") group of Dutch artists in Amsterdam in 1917, including the painters Piet Mondrian, Theo van Doesburg, and Vilmos Huszár, the architect Jacobus Johannes Pieter Oud, and the poet A. Kok; other early associates of De Stijl were Bart van der Leck, Georges Vantongerloo, Jan Wils, and Robert van't Hoff.Its members, working in an abstract style, were seeking laws.
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It has been pointed out by art historian Yves-Alain Bois that, as a signal of its inclusiveness, De Stijl was a style, an idea, a group of artists and the name of a publication started by van Doesburg in 1917, the year that De Stijl was founded. One hundred years ago, during a terrible war, the year 1917 proved to be unexpectedly auspicious to.
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The De Stijl (Dutch for "the style") group was one of several art and design movements that responded to the chaotic trauma of World War I with a "return to order.". Headed by Dutch artists Piet Mondrian and Theo van Doesburg, De Stijl rejected pre-war decorative tendencies (think Art Nouveau) and pushed Cubism to new extremes: total abstraction consisting of only the most basic design.
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De Stijl (/ d ə ˈ s t aɪ l /; Dutch pronunciation: [də ˈstɛil], Dutch for "The Style"), also known as Neoplasticism, was a Dutch art movement founded in 1917 in Leiden.De Stijl consisted of artists and architects. In a more narrow sense, the term De Stijl is used to refer to a body of work from 1917 to 1931 founded in the Netherlands. Proponents of De Stijl advocated pure abstraction and.
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De Stijl is also the name of an influential Dutch magazine founded in 1917 by Theo van Doesburg in cooperation with Piet Mondrian, Bart van der Leck, Anthony Kok, Vilmos Huszar and J.J.P. Oud. It became the catalyst for the De Stijl movement. Ninety numbers were published in 8 volumes, the last one in 1932.
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Dutch for "the style," De Stijl is an art movement founded in the city of Leiden in the Netherlands. From 1917 to 1931, De Stijl, also known as neoplasticism, was a famous modern art form that valued abstraction and simplicity. Clean lines, right angles, and primary colors characterized this aesthetic and art movement expressed via.
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De Stijl, Dutch for The Style, is a term associated with the work of an art group founded in 1917 in Amsterdam and gathered around the ideas of Dutch artists Theo van Doesburg and Piet Mondrian. The tendencies of this group towards shaping a new direction in modern art are integrated into Piet Mondrian's term "Neoplasticism.